Telling the Twentieth Century: Sexuality, Race and Storytelling in Twentieth Century Italian Literature and Film
Classes
Wednesday 15 January - Wednesday 26 March 2025, 6pm-9pm
10 sessions - Check class timetable
Overview
On this Telling the Twentieth Century short course we explore different strands and defining moments in Italian literature and film in the twentieth century. We will focus on the themes of gender and sexuality, the representation of race, and the impact of psychoanalysis on twentieth-century Italian literature and film.
The twentieth century was a period of tumultuous events in Italy. We will explore how the cultural response to and engagement with these momentous historical events have shaped the modern Italy of today.
Novelists we examine include some of the most influential of the twentieth century inside and outside of Italy, such as Italo Calvino, Primo Levi and Umberto Eco. We will also explore the significant impact of women’s writing on twentieth-century Italian culture through the fascinating work of Natalia Ginzburg.
Areas of exploration include:
- theatre of the absurd through Luigi Pirandello’s theatre
- postmodernism through the magical writings of Calvino and Eco
- race, the Holocaust and memory through the writings of Giorgio Bassani and Primo Levi
- race and the immigrant experience through Pap Khouma’s iconic novel I was an Elephant Salesman.
Together, we will also study major films by three of the great auteurist film directors: Giuseppe De Santis, Luchino Visconti and Michelangelo Antonioni.
By the end of this course, you will be equipped to:
- understand developments in twentieth-century Italian literature and film
- demonstrate relevant factual knowledge about the writers, directors, literary and filmic texts, contexts and issues under discussion
- evaluate literary texts and films at a thematic and a stylistic level
- show a good understanding of the political and social context from which the literary and filmic texts have arisen
- show a good understanding of a range of theoretical and methodological approaches (especially for the analysis of literature and visual material such as film).
Assessment of this course is via two 2500-word essays (50% each).
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Entry requirements
Entry requirements
Most of our short courses have no formal entry requirements and are open to all students.
This short course has no prerequisites.
As part of the enrolment process, you may be required to submit a copy of a suitable form of ID.
International students who wish to come to the UK to study a short course can apply for a Visitor visa. Please note that it is not possible to obtain a Student visa to study a short course.
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How to apply
How to apply
You register directly onto the classes you would like to take. Classes are filled on a first-come, first-served basis – so apply early. If you wish to take more than one short course, you can select each one separately and then register onto them together via our online application portal. There is usually no formal selection process, although some modules may have prerequisites and/or other requirements, which will be specified where relevant.