Depicting the Emergence of the Afro-Hispanic Subject and the Formation of the Black Nation in Early Modern Spain
When:
—
Venue:
Birkbeck 43 Gordon Square
No booking required
Talk by Dr Carmen Fracchia, Senior Lecturer in the Department of Cultures and Languages.
The Afro-Hispanic proverb Black but Human will serve as a lens through which I explore the ways in which certain early modern visual representation of slavery both embody and reproduce hegemonic visions of subaltern groups and at the same time provide material for critical and emancipatory practices by African slaves and ex-slaves themselves in Habsburg Spain. My paper will argue that deep ethnic prejudices against black slaves and ex-slaves in the crowns of Castile and Aragón did not prevent the emergence of the 'Afro-Hispanic subject' in the visual form articulated by a range of artists from Spain, the Spanish territories in Europe, and New Spain (Mexico). I will focus on the extraordinary seventeenth-century case of the portrait of the slave Juan de Pareja by his celebrated slave owner, Diego VelÃzquez and the self-portrait of freedman Juan de Pareja in his painting The Calling of St Matthew. This paper will also explore the ways in which the Black but Human topos codifies the multilayered processes through which a 'black nation' forges a collective resistance and the ways in which it is articulated in Pareja's 3-metre long masterpiece for the Habsburg court in Madrid (now in the basement of the Prado Museum).